
Donald
Duncan, Editor
Union Hall


Several
people have asked about the history of the
In 1866 a group
of
In 1868 the first town meeting
was held at the hall and has been held there ever since. The meetings in the
1930’s were held on Saturday and the entire day was required in that there
was no Budget Committee to discuss needs ahead of time. Thus all decisions
were hammered out on the floor. At lunchtime, tables would be set up and lunch
served. Phyllis Cook recalls lugging buckets of water across the road from a
spring behind the
In 1874 a group of citizens
formed a stock company and bought the building from the ladies sewing circle.
It wasn’t until 1900 that the Town purchased the hall. At some point, the
balcony was removed in order to have more floor space, which was occasionally
used by the school children for games. They did not change the name of the
Hall and the old Union Hall sign that had been on the balcony was varnished
and hung on the wall on
In 1955 the committee on expanding the hall reported that an addition had been completed. The town offices had previously been in the small building standing just west of the Union Hall (see 1938 photo). This small structure was moved away and the addition to the west was completed comprising Town Offices and the kitchen. Later a similar wing was added onto the east side of the building and the large interior posts were added for support. Ron was unable to find any mention that the name of the hall was ever changed, so officially it remains today as Union Hall.
Volunteer
Luncheons
We have often said that the
Museum could never operate without the hundreds of hours of volunteer labor.
Not only do volunteers guide visitors, but they clean the building, sand and
paint interior window frames, provide refreshments, work on the garden,
research Southport houses, record memberships, keep the books, move the boats
in and out, repaint the sign when needed and plan for future needs. The list
goes on. Twice this summer, the Friends put on a luncheon to honor some of
these volunteers. In June and again in August about twenty people gathered at
the Museum to hear Ron and Evelyn and Ed Donohoe describe the collection, and
to share a buffet lunch. We are grateful to all those who helped and to all
the others who are here listed. We have recorded that they gave a total of
1450 hours, but this is undoubtedly far too small!
Judy Basilieri
Kathy Bugbee
Katie Copland
Donald Duncan
Mimi Havinga
Mary Merrill
Roger Roche
Sarah Sherman
Peg Stewart
Kit
Sherrill has taken over from Gary Snowman the job of recording your
memberships and donation to the Friends. This year we have received 216
replies to our April solicitation letter for a total of $5,875. We are
grateful to Kit for his work and to Marion Bradley who keeps the books and
pays the bills. This year the Friends have paid for the following: Ron Orchard
for his regular services as permanent guide, the alarm system, the telephone,
computer and copier supplies, membership in Maine Archives and Museums,
luncheons, research books and miscellaneous small items as needed.

Morgan
Rhees
This summer, the Museum featured an exhibit of paintings by Morgan J.
Rhees. Mr. Rhees was born in
The
museum is fortunate to have a childhood portrait of Ethelyn Pinkham Giles
(pictured above). The portrait was
given to the Museum by Ron Orchard in 2002, and the Friends have had it
cleaned and restored for permanent exhibit. Also on display is Rhees’
painting, ”The Gates of Hell” which hung in the
In 2001, the Trustees felt that the area behind the Museum needed
sprucing up and although it had produced a bumper crop of raspberries, the
Trustees felt that something more cultivated would be an improvement. Some
monies had been given in memory of Kenneth Orne, and Jessica Brewer laid out
the beginnings of the
Progress
Report on the Old House Project
Jean Hawley
Our goal is to create a database in which ALL
To date, a little over
125 responses have been received from owners of houses, cottages and log cabins.
The dates of these structures range from pre-1900 to as recently as 2000. Their
history includes dwellings that had burned and were rebuilt, those that were
incorporated into essentially new structures on the original sites, and those
that were moved to their present site. The information in the responses
indicates that the earliest known dwellings on the island were both houses and
cottages followed shortly by log cabins. Examples of each remain today as part
of the architectural history of
Special thanks goes to Peg Stewart who has researched nearly all the
dwellings on
Remember all dwellings are relevant to this study. We are very grateful to all who have responded and for those who have not, a questionnaire is included with this newsletter.
The Key to the Sheepscot
Bob
Eaton
The key to the Sheepscot, now displayed in the
Museum, was made by Walter R. Eaton, a summer resident, in his shop in